Bibliography

BIBLIOGRAPHY

Publications

Beadleston, Suzi, "Takes 'Special Effects' Seriously." The Gainesville Sun, October 22, 1966, n.p. Various quoted remarks.

"Gallery." Life, 67:8-11 (November 21, 1969). Untitled statement on the darkroom.

Great Ideas of Western Man. Chicago, Container Corporation of America, 1968 (Presentation piece). Interpretative statement on a photograph (191) commissioned for this series.

"Heliogrophers," Photography Annual 1965. New York, Ziff-Davis Publishing Co., 1964, p. 197. Untitled statement on personal approach to photography.

Into the 70's. Akron, Akron Art Institute, 1970. Untitled statement on the darkroom.

"Jerry N. Uelsmann." Camera, 46:6-19 (January, 1967). Excerpts from "Post-visualization" and an autobiographical essay.

"Jerry N. Uelsmann," The Professional Photographer, 94:96 (July, 1967). Untitled statement on personal approach to photography.

Kinzer, H. M., "Jerry Uelsmann: 'involved with the celebration of life'." Popular Photography, 57:136-143, 177-181 (November, 1965). Various quoted remarks.

“Shoot Now—Think Later." Popular Photography, 58:65, 101, (May, 1966). Excerpts from “Post-visualization."

Lyons, Nathan, “The Younger Generation." Art in America, 51 -76 (December, 1963). Untitled statement on personal approach to photography.

Martin, Eunice Tall, "Jerry Uelsmann's World of Photography." Floridalumnus, 20:14-20 (Winter, 1968). Various quoted remarks.

"The Multiple Print." The Camera, Robert G. Mason and Norman Snyder, eds. New York, Time-Life Books, 1970, p. 44. Untitled statement on personal approach to photography.

"New Talent USA." Art in America, 50:49, No. 1 (1962). Untitled statement on personal approach to photography.

Parker, William E., Eight Photographs-. Jerry Uelsmann. New York, Doubleday & Company, Inc., 1970. Various quoted remarks.

"Uelsmann's Unitary Reality." Aperture, 13m.p., No. 3 (1967 [1968]). Various quoted remarks.

Photography Workshop/Summer 1970. Berkeley, University Extension, University of California, 1970 (Poster announcement). Untitled statement on post-visualization.

Scarbrough, Lindo, “New Breed Foto Show ot Modern Museum." New York Dally News, February 26, 1967, p. F2M. Statement on photography in relation to the arts of the nineteenth century and today.

Six Photographers 1965. Urbana, University of Illinois, 1965. Untitled statement on his photography.

"Three Photographers Exhibition." Image, 11:1718, No. 4 (1962). Untitled statement on personal approach to photography.

12 x 12. Providence, Carr House Gallery, Rhode Island School of Design, 1970. Untitled statement on the darkroom.

Uelsmann, Jerry N., "Interrelationship of image and Technique." Invitational Teaching Conference at The George Eastman House, Nathon Lyons, ed. Rochester, The George Eastman House, 1963, pp. 90-95. Reprinted in Memo, 1:185-187 (November, 1964).

"Post-visualization." Florida Quarterly, 1 ;82-89 (Summer, 1967). Reprinted in Creative Camera, 60-212-219 (June, 1969). Reprinted in Contemporary Photographer, 5m.p., No. 4 (1967 [1970]).

“Wynn Buliock/Tracing the Roots of Man in Noture." Modern Photography, 34:89 (May, 1970).

White, Minor, ed., "Special Supplement in Honor of the Teaching Conference Sponsored by George Eastman House of Photography 1962." Special Supplement Volume II (to Aperture), 1963, pp. 7-8. Statement on commitment to teaching photography.

Publications About

Beadleston, Suzi, "Takes 'Special Effects' Seriously." The Gainesville Sun, October 22, 1966, n.p. Various quoted remarks. Portrait photograph.

Beiler, Berthold, Die Gewalt des Augenblicks. Leipzig, VEB Fotokinoverlag, 1967. One photograph: 67.

Bry, Michael E., "Gallery Snooping." Modern Photography, 33:34, 36 (November, 1969). One photograph: 284. Review of "Friends of Photography" exhibition.

"Gallery Snooping." Modern Photography, 34: 32 (October, 1970). Review of "Current Report li" exhibition.

Bunnell, Peter C., "Photography as Printmaking." Artist's Prooi, Fritz Eichenberg, ed. New York, Pratt Graphics Center, 1969, pp. 24-40. One photograph: 233.

Coleman, A. D., "Latent Image." Village Voice, September 26, 1968, p. 20. Review of William E. Parker article In Aperture, 13:3 (1967).

“Creative Photography Display Set Up At IU.” Bloomington Herald-Telephone. April 4, 1959, n.p. Review of "Photographer's Choice" exhibition.

Deschin, Jacob, “Color, Candids, Novelty." The New York Times, November 22, 1964, p. xl7. Review of Uelsmann/Bullock exhibition at the Heliography Gallery.

"Finding Pictures in the Darkroom," The New York Times, February 19, 1967, p. 30D. Review of Museum of Modern Art exhibition. One photograph: 174.

“Group Exhibit." The New York Times, July 26, 1964, p. x!6. Review of "Lever House II: The Association of Heliogrophers" exhibition.

"Pictures on View." The New York Times, January 26, 1964, p. x23. Review of four-man exhibition at the Heliography Gallery.

Fichter, Robert, "Alice Andrews." Creative Camera, 62:282-285 (August, 1969). Fictitious bibliographic footnote.

Fox, Phyllis, "I Celebrate My Life Through Photography." Aspen Illustrated News, July 30, 1969, pp. 7-9. Five photographs: 94, 323, 348, 400, 402.

Harker, Margaret F., "Sense and Perception." The Photographic Journal, 108:125-147 (May, 1968). Two photographs: 94, 174.

Hattersley, Ralph, “Games Photographers Play." Photography Annual 1968. New York, ZiffDavis Publishing Co., 1967, pp. 14, 16, 16b, 18,20,22,24,30, 186, 191. Seven photographs-. 209, 210, 212, 213, 215, 216, n.n.

"Heliogrophers," Photography Annual 1965. New York, Ziff-Davis Publishing Co., 1964, pp. 106-111, 197. Three photographs: 30, 56, 85.

"The Heliogrophers ... a New Photographic Movement." U.S. Camera and Travel, 27:61, 64, 65 (May, 1964). One photograph: 81.

Hollyman, Tom, "In 1970, We Honor..." Inlinily, 19:5-23 (September, 1970). Five photographs: 251, 284, 395, 397, 404.

Howell, Chauncey, "Art, etc." Women's Wear Doily, March 2, 1967, p. 28. Review of Museum of Modern Art exhibition.

"The impact of Multiple Images," The Print, Robert G. Mason, ed. New York, Time-Life Books, 1970, pp. 214-219. One photograph: 333.

"Jerry Uelsmann." Infinity, 11 :22-26 (May, 1962). Five photographs: 12, 42, 43, 44, 60.

"Jerry Uelsmann." The Professional Photographer, 94:96 (July, 1967). Two photographs.80, 174.

Kinzer, H. M., "Jerry Uelsmann: ‘...involved with the celebration of life.' " Popular Photography, 57T 36-143, 177-181 (November, 1965). Eight photographs: 67, 80, 84, 98, 106, 118, 121, 125. "Letters to the Editor" (on the article). Popular Photography, 58:4 (January, 1966). Article reprinted in Popular Photography Italiana, 103:35-43, 48 (Gennaio, 1966).

"Shoot Now—Think Later." Popular Photography, 58:65, 101 (May, 1966). One photograph: 129.

Kramer, Hilton, "Portrait Photographs—A Historical Collision." The New York Times, September 14, 1969, p. D27. Review of "Portrait Photographs" exhibition.

Lyons, Nathan, ed., The Persistence of Vision. New York, Horizon Press, 1967. Eleven photographs: 57, 95, 98, 109, 116, 118, 146, 148, 155, 158, self-portrait.

Martin, Eunice Tall, "Jerry Uelsmann's World of Photography.'' F/oridalumnus, 20:14-20 (Winter, 1968). Three photographs: 194, 251, 253, and eight portrait photographs by Helen Wallis.

Parker, William E., Eight Photographs: Jerry Uelsmann. New York, Doubieday & Company, Inc., 1970. Eight photographs: 80, 94, 200, 251, 324, 333, 374, 425.

"Notes on Uelsmann's Invented World." Infinity, 16:1, 4-13, 32-33 (February, 1967). Eleven photographs: 21, 31, 106, 142, 160, 168, 174, 184, 197, 198, 200.

‘‘Uelsmann's Unitary Reality.'' Aperture, 13:n.p., No. 3 (1967 [1968]). Thirty-one photographs: 11, 14, 30, 31, 43, 52, 65, 67, 88, 94, 109, 124, 142, 143, 148, 153, 159, 162, 168, 181, 197, 193, 200, 204, 205, 233, 244, 251, 253, 259, 292.

Scarbrough, Linda, "New Breed Foto Show at Modern Museum." New York Daily News, February 26, 1967, p.F2M. Review of Museum of Modern Art exhibition. Portrait photograph by Evelyn Straus taken in gallery.

Smith, Henry Holmes, ed. Photographer s Choice. Bloomington, Henry Holmes Smith, 1959. "The Photography of Jerry N. Uelsmann." Contemporary Photographer, 5:47-71, No. 1 (1964). Twenty-three photographs: 11, 12, 14, 29, 30, 31, 34, 42, 43, 52, 53, 56, 58, 60, 62, 65, 68, 78, 80, 81, 85, 88, 91. Picture selection and layout by the photographer.

"Special Issue on Photographic Education: University of Florida." Infinity, 18:16-19 (April, 1969).

"Le surréalisme en photographie." Techniques graphiques, 68-.n.p. (1967). Three photographs: 89, 106, 156.

Szarkowski, John, Jerry N. Uelsmann. New York, The Museum of Modem Art, 1967 (Illustrated checklist). Six photographs: 56, 106, 109, 156, 199, 215. Essay reprinted in Jerry N. Uelsmann. Phoenix, Phoenix College, 1968 (Exhibition announcement). One photograph: 194.

"Toning Black-and-White Images," Color, Robert G. Mason, ed. New York, Time-Life Books, 1970, p. 222. One photograph (color): 373.

Ward, John L., The Criticism of Photography As Art: The Photographs of Jerry Uelsmann.

Gainesville, University of Florida Press, 1970. Ten photographs: 34, 37, 56, 119,204,227, 228, 234, 339, 368.

White, Minor, "The Persistence of Vision." Aperture, 13:59-60, No. 4 (1968). Book review.

Williams, Fiiram, "Five From Florida." Art in America, 50:132 (Summer, 1962).

Zucker, Harvey, "Multiple Images. Popular Photography, 62:112-115, 130 (June, 1968). One photograph: 137.

Photographs in Published Sources

American Photography: The Sixties. Lincoln, University of Nebraska, 1966. One photograph: 98.

An Appointment Calendar with Photographs from the Collection of The Museum of Modern Art (1967). New York, Museum of Modern Art, 1966. One photograph: 89.

"An Experiment with Line and Camera." Journal of Commercial Art, 2:40-45 (December, 1960). One design photograph: n.n.

"The Beautiful Image." Popular Photography, 59:86-91 (August, 1966). One photograph: 94.

Best Articles and Stories, 3.56 (September, 1959). One photograph: 1,3:2 (October, 1959). One photograph: n.n.; 3:46 (November, 1959). One photograph: n.n.; 4:2 (March, 1960). One photograph: 3,4:34 (April, 1960). One photograph: n.n.; 4:2 (June/July, 1960). One photograph: n.n.,4.-2 (September, 1960). One photograph: n.n.; 4:2 (October, 1960). One photograph: n.n.; 4,-2 (November, I960). One photograph: n.n.; 4:2 (December, 1960). One photograph: n.n.; 5:2 (March, 1961). One photograph: n.n.; 5:2 (April, 1961). One photograph: n.n.; 5:2 (May, 1961). One photograph; n.n. Primarily reportage photographs used to illustrate various articles.

Bunneli Peter C., "Observations on Photographic Sensitivity." Arts in Virginia, 10:44-45, 64 (Winter, 1970). One photograph: 348.

"The Photographer as Printmaker." Creative Camera, 56:78-79 (February, 1969). One photograph: 233.

"Photographs for Collectors." Art in America, 56:70-75, January/FeÍDruary, 1968. One photograph: 148.

Bushman, John C., ed.. Real and Fantastic. New York, Harper & Row, Publishers, 1970. Two photographs (details of each): 65, 359.

Cassirer, Ernst, The Question of Jean-Jacques Rousseau. Bloomington, Indiana University Press, 1963 (Cover). One design photograph: n.n.

The Center of Man/Micanopy. Mlcanopy, The Center of Man, 1969 (Announcement & brochure). One photograph: 251.

Contemporary Photographs. Los Angeles, University of California, 1968. One photograph: 374.

Deschin, Jacob, "Light Is Theme of Group Show." The New York Times, October 27, 1968, p. 36D. One photograph: 194.

Dunning, Stephen, and others, eds., Reflections on a Gift of Watermelon Pickle .... New York, Lothrop, Lee & Shepard Company, Inc., 1967. One photograph: 85.

"Exhibitions Worth Seeing." Famous Photographers Magazine, 1:30-35 (Winter, 19671968). One photograph: 56.

The Florida Architect, 17:cover, 15 (September, 1967). One photograph: n.n.

Folio, 25:n.p. (Spring, I960). Two photographs: 11, 13.

Four Photographers. Jacksonville, Cummer Gallery of Art, 1967. One photograph: 156.

"Gallery." Life 67:8-11 (November 21, 1969). Four photographs: 56, 67, 156, 333.

Great Ideas of Western Man. Chicago, Container Corporation of America, 1968. Various formats: as advertisement in numerous periodicals including Newsweek, 74:104 (September 15, 1969); as a presentation piece issued by the corporation,as a commercially distributed poster including Marboro Books, New York, which advertised it In Esquire, 72:21 (September, 1969); reproduced on verso of cover wrapper 68/69 Graphis Annual, Zurich, Walter Herdeg, The Graphis Press, 1968. One photograph commissioned as a visual equivalent of a text by William Faulkner: 191.

Hall, James B. and Ulanov, Barry, eds., Modern Culture and the Arts. New York, McGraw-Hill Inc., 1967. One photograph: 358.

Human Concern/Pcrsonal Torment.The Grotesque in American Art. New York, Whitney Museum of American Art, 1969. One photograph: 358.

The Indiana School of the Sky. Bloomington, The Radio and Television Services, Indiana University, 1959-1960. Ten photographs.n.n.

Into the 70 s. Akron, Akron Art Institute, 1970. Three photographs: 333, 404, self-portrait, photo-sculpture.

Joy, Bill, ed., "George Eastman House Special Issue." Album, 6:48 (July, 1970). One photograph : 348.

Jerry Uelsmann. Boston, Carl Siembab Gallery, 1969 (Exhibition announcement). One photograph ; 253.

Jerry N. Uelsmann. Costa Mesa, Camera Work Gallery, 1969 (Exhibition announcement). One photograph: 333.

"Jerry N. Uelsmann: A Portfolio of Photographs." The Liberal Context, No. 17:14-19 (1966). Six photographs: 80, 107, 129, 148, 159, 164.

Journal of the American Association of University Women, 61:169 (May, 1968). One photograph: 98.

Keim, Jean A. "La Photographie: Made In U.S.A." Les Nouvelles littéraires, Août 13, 1970, p. 10. One photograph: n.n.

"Kultur und Kritik." Müncfier Merkur, Juli 17, 1970, p. 13. One photograph: 251.

Lsm a / E ! s m a / J e r r y Uelsmann. Carmel, The friends of Photography, 1969 (Exhibition announcement). One photograph: 375.

Lyons, Nathan, ed., Photography in the Twentieth Century. New York, Horizon Press, 1967. One photograph: 87.

"The Younger Generation." Art In America, 51:72-77 (December, 1963). One photograph: 52.

Mack, Emily, "Photography at Mid-Century." Infinity, 8:10 (December, 1959). One photograph: 9 (incorrect orientation).

Man. Evanston, McDougal, Liffell & Company, 1970. Series of literary anthologies with various editors. Man in the Dramatic Mode, 3:54. One photograph: 87; 5:36, 42-43. One photograph (with detail); 109,6:60, 77. One photograph (with detail): 88. Man in the Expository Mode, 5:146. One photograph: 244. Man in the Fictional Mode, 6:44. One photograph: 57. Man in the Poetic Mode, 3:vi. One photograph: 107,4:vi, 43, 111. Three photographs.137, 200, 251,6:22, 93. Two photographs.12, 253.

New Photography USA. Bonn-Bad Godesberg, United States Information Agency, 1970. One photograph: 251.

"New Talent USA." Art in America, 50:49, No. 1 (1962). One photograph: 29.

"The Multiple Print," The Camera. Robert G. Mason and Norman Snyder, eds. New York, Time-Life Books, 1970, pp. 44-45. One photograph: 233.

The Persistence of Vision. Baltimore, Maryland Institute of Art, 1969 (Exhibition announcement). One photograph: 98.

The Persistence of Vision. Rochester, George Eastman House, 1967 (Exhibition poster). One photograph: 158.

The Photograph as Object 1843-1969. Ottawa, The National Gallery of Canada, 1970. One photograph: 233.

Photography Annual 1957. New York, Ziff-Davis Publishing Co., 1956. One photograph: n.n.

Photograph y Annual 1958. New York, Ziff-Davis Publishing Co., 1957. One photograph: 1.

Photography Annual 1965. New York, Ziff-Davis Publishing Co., 1964. One photograph: 52.

Photography Annual 1967. New York, Ziff-Davis Publishing Co., 1966. Two photographs: 138, 162.

Photography at Mid-Century. Rochester, George Eastman House, 1959. One photograph; 9.

"Photography at Mid-Century," U.S. Camera 1961. New York, U.S. Camera Publishing Corp., 1960, p. 257. One photograph.9.

Photography in America 1850-1965. New Haven, Yale University Art Gallery, 1965. One photograph: 56.

Photography 63. Rochester, George Eastman House, 1963. One photograph.52.

Photography USA. Lincoln, DeCordova Museum, 1968. One photograph: 80.

Photography Workshop/Summer 1970. Berkeley, University Extension, University of California, 1970 (Poster announcement). One photograph: 397.

Porter, Allan, ed., "Jerry N. Uelsmann." Camera, 46:6-19 (January, 1967). Twelve photographs: 30, 56, 60, 80, 85, 94, 106, 107, 137, 142, 153, 200.

The Poster Gallery, New York. Five large format posters issued 1969. Five photographs: Î48, 162, 204, 251, 259. Full format reproduction using photograph 259: Famous Photographers Magazine, 3.27, No. 10 (1970).

"The Power of Seeing." Life, 61:142-143 (December 23, 1966). One photograph: 80.

Racanicchi, Piero, "Photography '63." Popular Photography Italiana, 87:43-48 (Settembre, 1964). One photograph: 52.

Seven, Spring, 1968, pp. 3-5. Three photographs: 30, 77, 178.

Six Photographers 1965. Urbana, University of Illinois, 1965. Two photographs.107, selfportrait.

Thirty Photographers. Buffalo, State University College, 1964. One photograph: 105.

"Three Photographers Exhibition." Image, 11 OTIS, No. 4 (1962). One photograph: n.n. (variant oí 136).

12 x 12. Providence, Carr House Gallery, Rhode Island School of Design, 1970. Two photographs: 419, 425.

Uelsmann, Jerry N., "Jerry N. Uelsmann; Postvisualization." Creative Camera, 60:212-219 (June, 1969). Seven photographs: 109, 156, 172, 251, 333, 361, 374.

"Post-visualization." Florida Quarterly, 1 :8289 (Summer, 1967). Four photographs -. 56, 94, 106, 107.

Wasserman, Emily, "Photography." Artiorum, 6:71-74 (Summer, 1968). One photograph: 233.

White, Minor, "Light7." Aperture, 14:8, 51, No. 1 (1968). Also Light7. Cambridge, M.l.T. Press, 1968. Two photographs: 194, 339.

I have adhered to the following guidelines in compiling this information. A single asterisk (‘) indicates that the exhibition was circulated by the institution whose name follows the title. A double asterisk [**) indicates that the exhibition was organized by the institution listed for circulation only. Entries for circulating exhibitions have not been listed beyond that location where the exhibition was first shown. The numbers which conclude the bibliographic entries identify the specific photographs reproduced and correspond to the chronological index of some 428 Uelsmann photographs dating between 1956 and 1969. Copies of this index exist at The Alfred Stieglitz Center of The Philadelphia Museum of Art and in the Department of Photography, The Museum of Modern Art, New York. Peter C. Bunnell